The 29th Busan International Film Festival (BIFF) recently showcased the world premiere of Netflix’s Korean cult-horror thriller “Hellbound” second season. Directed by Yeon Sang-ho, the series explores a world where supernatural beings appear to announce people’s impending death, followed by monstrous entities that drag the condemned to hell. The intense performances from the new cast members, particularly Moon Geun-young, have been a highlight of the season, elevating the dystopian thriller into a more philosophical realm while delivering the spectacle of creatures, violence, and collective religious hysteria.
The concept of disaster in “Hellbound” is more about mental or ideological catastrophe rather than physical disaster, according to director Yeon. The show had to let go of actor Yoo Ah-in, who was charged with illegal drug use, and Kim Sung-cheol takes on the role of the charismatic cult leader. However, it is Moon Geun-young’s performance as a young wife gradually transforming into a deranged cult fanatic that has been the most captivating and gut-wrenching aspect of the second season. Moon’s portrayal has been praised for its depth and intensity, showcasing her versatility as an actress.
The series was featured at BIFF in its big-screen theatres, despite criticism from cinephiles for selecting a streaming title, “Uprising”, as its opening film this year. OTT streaming platforms have been blamed for challenges faced by traditional theatre markets and independent filmmakers. Yeon, known for his independent animated filmmaking background, has been credited with increasing the global visibility of South Korean content through works like “Squid Game” and “Pachinko.” His exploration of human struggles, apocalyptic worlds, and religion in his works has resonated with audiences worldwide.
The theme of resurrection is prevalent in the second season of “Hellbound,” as the “sinners” begin to return after their visits to hell. Actress Kim emphasized that hell is not just an afterlife destination but can also manifest in one’s life based on their choices. The blurring lines between traditional independent cinema and big-budget streaming titles at this year’s festival have been noted by industry experts, with some expressing concerns about the impact on showcasing fresh Asian films by emerging talents in the region. Despite this, BIFF continues to be a key player in promoting Asian cinema and providing a platform for filmmakers to showcase their work.
Overall, “Hellbound” second season at BIFF has been well-received, with its intense performances, thought-provoking themes, and stunning visuals captivating audiences. Moon Geun-young’s portrayal has been lauded as a standout performance, showcasing her talent and versatility as an actress. Director Yeon’s exploration of philosophical and existential themes within the context of a supernatural thriller has added depth and complexity to the series, contributing to its critical and commercial success. As South Korean content gains global recognition, works like “Hellbound” continue to push boundaries and challenge traditional storytelling conventions in the realm of horror and fantasy genres.
