Doha, Qatar – The importance of Arab filmmakers having agency over their own storytelling was a central theme at the Doha Film Festival, highlighted by Egyptian director Yasser Ashour’s documentary, My Story. The film, which profiles veteran Syrian actor Jamal Soliman, offers a personal look at a life shaped by displacement and homecoming. The 2025 festival runs until November 28th, showcasing works centered around diverse Arab experiences and offering a critical platform for regional talent.
Soliman received the DFF 2025 Creative Excellence Award at the opening ceremony, celebrating his decades-long contribution to Arab cinema and television. My Story, a collaboration with Jazeera 360, chronicles Soliman’s 13-year exile from Syria and his recent return, examining themes of diaspora, resilience, and the profound impact of loss.
The Need for Authentic Arab Narratives
Ashour emphasized that opportunities for Arab filmmakers to present their perspectives are limited. He stated the current landscape often forces creatives to cater to external perceptions rather than explore themes deeply resonant within the Arab world. The Doha Film Festival, however, represents a welcome change, providing a venue for films driven by genuine cultural connection and artistic vision.
My Story attempts to move beyond the typical celebrity profile, presenting Soliman as a multifaceted individual. Ashour described the process of filming as feeling akin to therapeutic conversation, a visit with family, or witnessing an artist at any stage of their career. This intimate approach allows audiences to connect with Soliman on a human level, experiencing his joys and hardships alongside him.
Soliman’s Journey and Impact
Jamal Soliman established himself as a prominent actor in Syria before relocating due to the ongoing conflict. Throughout his absence, he maintained a strong connection with audiences in Egypt, where his work continued to be celebrated. However, his time away was marked by personal tragedy, as he was unable to return home to be with his parents during their final days.
Known for his roles in critically acclaimed productions like al-Taghreba al-Falastenya (The Palestinian Expatriation), Four Seasons, and Hada’eq el-shaytan (Gardens of Evil), Soliman’s career embodies the complexities of the modern Arab experience. His return to Syria earlier this year is a pivotal moment captured in the documentary, symbolizing a potential “new spring” after a difficult period. This reflects broader themes of Syrian return migration.
The film’s power, Ashour noted, lies in its ability to resonate with audiences on a deeply personal level, transcending political boundaries. He expressed hope that platforms like DFF will continue to support such projects, encouraging more filmmakers to pursue stories driven by passion and authenticity.
Documentary Filmmaking in the Region
Ashour also touched upon the often-underfunded nature of documentary filmmaking, stating that it’s rarely driven by financial gain. He expressed relief and optimism that screenings at the Doha Film Festival signaled continued interest in these vital films. Further support for independent documentary projects is vital for diversifying the global film landscape.
The broader Doha Film Festival aims to nurture film talent throughout the Middle East and North Africa (MENA) region, providing resources, workshops, and a platform for showcasing work to international audiences. This initiative supports the development of a more vibrant and representative cinematic ecosystem.
Looking ahead, the success of films like My Story will likely fuel further discussion about the need for increased investment in and recognition of Arab cinema. The festival’s evaluation process and audience reception will be key indicators of future programming and funding priorities. Organizers are expected to release a comprehensive report on audience engagement and film industry trends following the festival’s conclusion, which will inform their strategy for the 2026 event.
